This is about Dr Who. Be warned: spoilers coming up.
Reader Mark comments:
Surprised the biased BBC blog hasn`t made a post about the two part Doctor who programme, the second part of which was shown last night.
Basically the story turned out that a family of aliens (high up and powerful in government) wanted to start a war for profit despite not having a UN resolution, one of their motives was oil. There was a bogus threat of 45 seconds. Yet to whip the people up in a frenzy the alien family were behind the crashing of a spaceship into big ben in order to give them a reason to start a war.
Worked it out yet?
I`m against the iraq war but for the bbc to put out a programme which basically suggested that Bush (i`m not a fan)was behind 9/11 in order to start a war on iraq was grotesque. I expect to see that kind of extremism on anarchist/islamic and white supremacist websites, not on the BBC.
I phoned up and complained. Gave them an earful.
Mark
It’s all a bit of a shame. Last week we had me and a whole bunch of hardened BBC-bashers falling over themselves to praise Dr Who. There was a great deal to praise in the latest episode, yet I suspect that the part that will be remembered and discussed will be one speech delivered for, oh, 45 seconds or so. (Delivered very well, I must say. Good acting portraying good acting. You saw for a moment how this bumbling substitute could hack it as a politician.)
If I’m right about one thing then my take on this will less harsh than Mark’s. In that case I will say that the 45-seconds stuff was a weak and ill-judged joke that, for a few minutes, quite threw out my willing suspension of disbelief. I spent time thinking about Bush, Blair, the Hutton report etc. and as a result missed what the alien plot actually was. (Never did quite work it out. What was stopping the aliens from just slagging the earth? It seemed to rely on their being some aliens up there who weren’t in on the conspiracy but no one ever mentioned them. But as I said, I wasn’t paying attention.) Assuming I am right, I will say that artistically that is a horrible crime. “Let that be a warning to scriptwriters,” I will say, “not to let the temptation to make a passing political point mar otherwise fine pieces of work. Don’t sell your birthright for a mess of pottage.”
More in sorrow than in anger: that will describe my reaction if I am right on this one aspect. It is tacky to make partisan political points in what is ostensibly a children’s programme. It may even be against the rules to do so during an election campaign. It will date quickly. It is yet more evidence that the BBC is biased: you could live for nine hundred years before you saw a corresponding pro-Iraq-war pointette being slipped into a children’s drama.
OK, what is this one thing that I think should decide my, and by implication your, attitude towards all this? It is this. At the time it didn’t even occur to me that the spaceship hitting Big Ben was part of the political point the scriptwriter was trying to make. It did not occur to me that it was meant to be a parallel to the airliners hitting the twin towers of the WTC. I assumed, and still do incline to believe, that the only political jab was against Mr Blair and his “45 minutes.” Why do I think this? Because, in the story, no one was mentioned as being killed as the ship hit Big Ben, and the whole thing was meant to look like an accident anyway, whereas the important fact about the planes hitting the Twin Towers was that a great many people were murdered in a manner that flaunted its own deliberateness. True the Dr Who episode did depict a vessel crashing into a famous tall building, but if I did not spontaneously see a parallel despite having spent a great deal of the last three and a half years obsessing about the consequences of September 11 2001 then it seems reasonable to assume that the writer didn’t intend one.
If, however, there was an intentional suggestion that the airliners crashing into the Twin Towers were fake, then it would be different. One, it would be a pretty sick joke. Two, we’ve had enough of the BBC giving credence to conspiracy theories to an adult audience, let alone children.
But like I said, even on the more generous interpretation, it’s a shame. A serious drama should be like a swimmer diving into a pool and swimming to the other side in one smooth, perfect trajectory. When he finally emerges, gasping, he breathes the ordinary air with gratitude because he has lived, for a while, in another element. A light, self-referential drama such as Dr Who is like the same swimmer coming up for air several times during his crossing of the pool. Each time your head breaks the surface, each little joke, each little hommage to the programme’s past such as the corridor-chasing back and forth across various Downing Street conference rooms, does diminish your belief a little – but it also makes your passage a more relaxed and enjoyable experience. But hearing those words “45 seconds” was like being yanked out the water, left to hang around in the cold while you think, “what the hell was that about?”, and then feeling obliged to jump in again to the no-longer so inviting water.
[This post slightly edited for clarity on Monday evening.]