So we know that the BBC pays women less than men…..what do they pay transgender employees? Tricky one huh?
Gotta love old Lord Hall Hall, so full of horses**t. His plea to the government not to publish the pay rates was based on his thought that if women found out they were paid less than the men the BBC would have to cough up more…therefore don’t reveal this discrimination, brush it under the carpet, and things can continue as they are. So not at all bothered about the pay gap really.
So much for transparency, accountability, diversity, equality and fairness. Why should anyone listen to the BBC’s sanctimonious lecturing again…if they ever did?
Lord Hall Hall always claimed that the BBC was vital for the health of the commercial sector, feeding into it talent and creativity, taking risks the commercial companies might not take….just what risks would they be then? Sons of Anarchy, Breaking Bad, Fargo, Twin Peaks, Game of Thrones??? Or Sky which took a massive risk to set itself up. The commercial sector is way out in front at producing high quality, innovative programming that wins huge audiences…the BBC is not innovative in any major way, it is mainstream and follows on behind all too often. David Attenborough is great but the BBC has been doing that for decades…now just with more technical wizardry as the kit improves…it’s still the same old same old.
Look at their employment policy. Who do they get for their football commentators…Lineker…hardly a big risk, a hugely famous footballer, as long as he can string two words together he can hardly fail in his given task…not too intellectually stretching to chat about football is it? Politics might be beyond him but choppsing about kicking a pig’s bladder around…he’s top of his game. LOL.
What does the BBC do that no other media organisation can do that is so innovative and ground breaking?…
“The public associates the BBC with great drama,” says Lord Hall, in an interview with the Telegraph. “It’s something that’s in the lifeblood of the BBC. It’s just crucial to us as a creative and cultural organization. I made this a priority when I came back to the BBC, because I believe in the BBC being in drama.”
Oh yes, great drama…well yes the viewers do love a good drama….but hardly the stuff of magical, pioneering, revolutionary, experimental stuff that we are told only the BBC could produce. It’s mainstream, safe as houses, stock-in-trade BBC fair that they have pumped out for donkey’s years. It does not in anyway justify the enforced licence fee nor the gross overpayment of its staff.
If the BBC were really a risk taker and a national treasure that was the nurturing ‘mothership’ for the British creative industries that Lord Hall Hall claims then they would hunt out new and capable talent that they can develop and then send on to the commercial sector…and in the meantime not have to pay extraordinary wages for people doing very little [let’s be honest]…nothing incredible or vastly difficult anyway…just why does a DJ or someone who does the odd interview get such huge sums…it’s crazy. Jeremy Vine on over £700,000!! The wage packets are eye-wateringly bonkers for the work they do…not as if someone off the street couldn’t do it as well for far, far less. Remember what’s her name, the author, PD James?, who came onto the Today show and blitzed it as she interviewed Mark Thompson?
The BBC would in fact be all the better for a policy that meant it didn’t keep on the old and the bold, the dinosaurs who don’t change and bring nothing new to the game, who get entrenched in their jobs and opinions. Send them out into the scary commercial world and bring in the fresh talent with new ideas, new faces, new voices. One advantage of this is that bias, prejudice and partisan attitudes aren’t likely to develop as much as group think wouldn’t get a chance to take hold as the group is always changing and with so many new people it will be hard to keep up the indoctrination that institutionalises their thinking and also makes them believe they are untouchable with a licence to hold court over their fellow man just by virtue of the fact they have a BBC ID card in their pocket.
Then there’s Lord Hall Hall’s claim that he has to pay such vast sums because of commercial pressures…the private companies would otherwise poach BBC staff. Really? Aren’t BBC staff in fact paid more than the commercial sector in many cases?….[maybe Phillip Hammond could give us a quote] Only a public corporation like the BBC with guaranteed income can afford such largesse and know they can pay the wages…and just remember who is paying for this…the licence fee payer…you know those people the BBC hunts down and puts in court because they haven’t paid up the ransom money…..even if they don’t actually watch the BBC. Jeremy Vine & Co must be proud to take home all that money essentially stolen with menaces from people vastly, vastly less well paid and who go to jail if they fail to pay up…poverty stricken or not.
Here’s ITV’s Tom Bradby in 2011:
ITV political editor Tom Bradby has questioned the reported salary of around £600,000 being paid to BBC presenter Andrew Marr, arguing that “no-one in ITV News is paid anything like this”.
In a message on Twitter, Bradby wrote: “I like [Marr] a lot, think he words (sic) hard and is very smart, but £600,000? Seems a lot.
“No-one in ITV News is paid anything like this, so where is the market for all these BBC figures being paid such vast sums? I mean, who else will employ them at that level?”
Bradby decided to comment on Marr’s pay packet after noticing a gradual erosion of parity between the BBC and ITV news teams over the last decade.
He wrote: “During the first 10 years I worked for [ITV News producer] ITN, there used to be a much greater sense of parity between the BBC and us. But over the last 10, that has gradually disappeared. It’s really something when a commercial broadcaster struggles to compete against one funded by millions of people on very modest wages.”
Bradby claimed that the BBC has become an “internal market”, in which stars compared salaries to each other rather than the external market.
He also estimated that Sky’s political editor Adam Boulton only earns around £400,000 a year, despite being “by far and away the biggest name on Sky News”.
Out with the old dinosaurs and in with the new, fresh faced, innovative, go-getting talent…and if they head off for pastures new…great…that’s exactly as it should be and then the BBC can go out and get some more of that untapped potential that’s out there looking for the break.