The Telegraph published this article about so-called cultural appropriation, the adoption of other races’ or culture’s art, music and style…apparently it’s not allowed…at least for White people to ‘Black up’, metaphorically, culturally, speaking.
Azealia Banks vs Iggy Azalea: ‘Privileged white people shouldn’t steal hip-hop’
It’s a minefield out there….cultural theft, cultural smudging, identity theft, reverse racism, bigotry, the ‘angry black woman syndrome’, minstrelsy, fetishized depictions of black people for the entertainment of white audiences…a cheap circus act….and so on.
It’s a whole academic study. Which I think is the point. It’s an industry for the ‘professional Black’ and not a few Whites who makes a living out of ‘campaigning’ against alleged racism.
Naturally there is genuine racism lurking out there but these people seek to create and exaggerate it and are intent on fostering anger and feelings of alienation that they leech off…parasites creating dangerous disharmony to fill their own pockets with money.
The BBC are pretty keen to go down this road and accept that White people should not adopt Black or other races’ cultural heritage.
Alvin Hall perfectly illustrated the mindset a while back in a confused rant about racism and Black music which we looked at previously….
Viva Hate
A narrative that Hall shoehorns in regardless of the facts…..‘cultural theft’, ‘pillaging Black music’, ‘minstrelsy’ are some phrases that give a clue to the line he takes.
The USA was practically an apartheid State right up until the late 60’s, there is no doubt that that held back some musicians and Black music businesses….amongst others.
But that is not the whole picture, but it is a picture that Hall wants to present, that Blacks were controlled and exploited by Whites, and he does so despite at the same time giving us facts that contradict that narrative.
He blames racism for Blues musicians and singers not getting their rightful dues….but goes onto say that it was the Black middle class that thought Blues was below them and not something they wanted to be associated with.
He tells us that White companies just weren’t interested in Black Music…but then contradicts that….and tells of Black music companies and radio stations that exploited Blacks.
He tells us that Whitney Houston and Michael Jackson sold out…they were compromised, ‘whitewashed’….they weren’t authentically ‘Black’…..so highly successful…and yet Hall can’t really accept that.
He tells us that Hip hop was born from the ghetto, the ghetto that the Black Middle class left behind them….and all that was left for the remaining inhabitants was drugs, drink and crime, which they put into their music….Hip hop and Rap.
But then he tells us that it is the White folks buying the records that are forcing and encouraging Blacks to become ‘Minstrels’, stereotypes of Black people…it is the fault of the Rap record buying public (66% white) who are to blame for ‘Gangsta Rap’…..the Whites enjoying the ‘thrill of the alien culture’.
He puts the case that success comes at a terrible price…selling their soul…and once again it is the whites who are manipulating and controlling Blacks.
Hall doesn’t seem to like success unless it is ‘authentically Black‘……and even when it is ‘Authentically Black‘ as in Rap, he claims that is just an unwelcome stereotype.
The final ironic statement about that very definitely Black music, Rap and Hip Hop, was this….
‘Now this is unacceptable…this is not who we are.’
It bubbled up again recently in this piece about ‘Native American’ art…
#BBCTrending: Fashion Week controversy over Native design
Native American fashion designer Bethany Yellowtail posted a comparison of a dress she had released last year and a design shown this week by London-based KTZ.
“The dress as stated on my website embodies a Crow design from my great great grandmother…funny I didn’t realize @ktz_official knew the Yellowtails or the Crow people,” she writes.
“It’s one thing for designers to be unoriginal and knock off other peoples designs but what happens when you blatantly take cultural valuable designs from Indigenous people? Let’s find out….#CanANativeLive #boycott #KTZ #ktzofficial #boycottKTZ”
Judge for yourself…
Personally I think she is talking out of her papoose.
We also had the subject on Woman’s Hour (10:30) a while back and Jane Garvey was excruciatingly apologetic for being white as she went on to discuss ‘White people stealing Black culture’…..we also hear a lot about those ‘Pale, male and stale’ whites who apparently control everything such as award ceremonies…and are racist…because they are white. So racist, sexist and dismissive of a culture in one small phrase on Women’s Hour.
On cultural theft (35 mins in)…Garvey wants to know what makes Black people angry….apparently it’s Iggy Azalea who is ‘deeply offensive and racist’ for singing rap in a ‘Black’ style…it’s colonialisation all over again, a sense of entitlement to something she doesn’t have permission to use….even Myley Cyrus using Black backing singers is cultural theft, ‘accessorizing Black’.
We hear that Black cultural styles aren’t attractive on Black people and are only popularised when whites adopt them….that’s bad we learn….er….if it’s not attractive on Black people why then do white people then adopt a style that is so ‘unattractive’?
They talk of Big Butts on White women…But are J-Lo or Kim Kardashian white? Can’t say Big Butts, Black or White, get the vote with anyone I know in the real world.
Garvey goes along with the narrative and feeds in her own thoughts to keep it going.
Iggy Azalea is deeply offensive Garvey suggests.
Dreadlocks on White people are also Haram…..Mainstream media can’t stomach dreadlocks on Black people and they only become acceptable when Whites start to use them.
Garvey says ‘No wonder you feel so offended…I totally get that!’
However again…can’t think of anyone who thinks White people look good in Dreads…and indeed just watched ‘The Inbetweeners 2’ andone of the biggest dicks in the film had Dreads…and was, obviously, white.
It could just be that dreadlocks are just weird whatever colour skin you have and very few people can carry them off with any style.
Happily though, the media might be changing we are told.
‘Times are changing and about time too’ Garvey expresses in relief.
The BBC of course never changes its tune.
I would suggest that all this talk about cultural theft and appropriation of Black style is highly divisive and hardly inline with the BBC’s supposed task of ensuring ‘social cohesion’… It looks more like the BBC is intent on sowing discord and disharmony and inciting anger against white people for some imagined racial crime.
I am guessing that a Black person singing an Italian opera, in Italian, is not classed as ‘cultural appropriation’ by the BBC…..and Vincent Osborne is your typical ghetto boy, ain’t he just….